Image analysis:This photo depicts a shop doorway with a extravagant white dress being displayed. I enjoy the use of framing of the image - the spectator is forced to focus on the details. Despite Owen's gender, there is a discreet femininity to this image that I enjoy. Throughout my project, I will now look for photo opportunities in shop windows. Additionally, I appreciate how the photographer's reflection can't been seen in the shop window - as this is hard to avoid. |
'an unusual colour intensity, the purest white and deepest black and necessary preciseness as well as the flatness of the design elements offer an unusual and particular material and form effect'.
The window that this photo captures is extremely restricted, as if it is from a train carriage. Although we know this was one of the few views from Sudek's studio, the underlying theme of a journey still remains. The tree almost occupies the entirety of the image, as the branches stretch to multiple corners of the screen. Despite this, there is still a sense of ambiguity in this photo, created by the rain stained window. Therefore, the minute details that usually have the ability to make or break a shot are blurred. The bulky black border that lingers on the outside of the image indicates the time period in which it was taken. |
This photo was taken by Linda Nylind, and was taken in January 2021. The image features a shuttered boutique of wedding dresses, that was located on Fonthill Road in Finsbury Park. Usually this would be somewhere that glowed with joy, but it was beginning to be dimmed by apocalyptic air. All the lives that had been disrupted are represented in this shot. |
This image was captured by Tom Jenkins, during which was usually one of the most intense Premier League matches. To capture this, Jenkins stood on the biggest single tiered stand in the country. There is a haunting aspect to this image, as the social distance sign flash up against rows of empty seats. This shot was composed by Martin Godwin. It features the Covid memorial, which stretches for more than a third of a mile along the South Bank. Godwin captured this image at the end of the day, when the last of the light glowed as it hit the wall. The young couple in the photo stopped to take this in, touching the embellished names. |